My first poetic awakenings came with a re-appropriation of language as the creative vehicle to re-imagine the world. Language, which was dead, had to be revivified. Isolated in a world in which language had lost contact with nature and the non-human space; isolated in a world in which the human intellect and mode of appropriation of reality purged the latter of any extra-human symbols, reducing the whole world and reality to a set of objects manageable and subservient to human and economic ends; isolated in a world where humanity’s triumphant modern moment, the zenith of history, was nonetheless a cover that masked the deep chaos and anxiety moving at its heart; language presented itself to me, a mere word, embraced imaginatively, was enough to reawaken a world overshadowed and forsaken by mankind, was enough to lift me out of my isolation and back into a conversation with nature and the earth in all its elements, that world which we have reduced to mere economic resources. The poem, in its simple, unmovable presence, was a simple but fateful nudge that moved the internal ocean in me.
The poet’s ideal is the very reason for his suffering — he is unable to attain it in his life; oh, but what beauty, in its pursuit, does he make!
We are creating for ourselves a world in which it is impossible to live; and even if life was still physically possible, it would be undesirable.
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Once it is over we’ll discover it — modernity was a big lie. Modernity — an incredibly rich soil that nonetheless did not allow the growth of anything great.
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Thirty six; the year I discovered the truth about myself.
You will not be a stoic unless you favor your strength of will over the passion of your heart.
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Even us poets feel uncomfortable with harboring a poetic vision of the world. That has become a taboo nowadays, something irrational that requires psychotherapy. The secular, the mathematical, the economic — these are the permitted worldviews, all falling under the arch of Science. But one day it will dawn on mankind that there is something of the poetic in science too; that it, too, is a sort of mythology; that it, too, as the poetic, takes a root in unreason, but that it deceives itself precisely on this point, that is, at the point where it prides itself most.
My approach to poetry has always been intuitive, and it is this intuition that lead me to truths that clashed directly with what an intellectual or philosophic grasp on the world might propose. Poetry draws from the source, and philosophy, regarding that, was, rightly, cynical. Which lead me to an impasse — I could no longer surrender to poetry and its source, and yet when I attempted to subjugate myself to the lessons and outlook of philosophy it felt like I was suppressing a huge and essential part of my own self, a part without which I couldn’t be myself. This struggle ate away at a good decade of my life, diminishing the best of what I could offer, philosophically and poetically — I was diminished and weakened in both areas. This struggle is so essential to my identity and to my well being. I’m not sure how to proceed, except to say that an either/or approach to the matter is not in the least fruitful, and that the repression of poetry even at the risk of being “dogmatic” to the rational side in me is also no longer possible. Maybe what is required is a leap of faith, one that does not deny reason and philosophy, but that comes from a deeper place in the heart, a place unconcerned with appealing or being granted the approval of philosophy and reason. This while retaining philosophy and reason as essential tools with which to handle the self in its relation to the world.
As a poet you cannot wait for your intellect to allow your surrender into your poetic flow and its intuition — the intellect will never allow it, for it is its very nature to remain skeptic and, hence, to hold you back; a leap must be made, and the intellect, humbled.
The discipline of the flower is opening up to the light. That is my discipline too, as a poet, a lover, and a man. Man is conscious depth; his discipline is opening and giving his life direction through the sea of light.
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There is a friend to whom you come closer even when you go into a different or even an opposite direction. Such friendship, what is its touchstone: a mutual commitment to the growth of the heart.
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We do not simply stumble upon new books; they stumble upon us and call us out too. It is a meeting, and the space of the meeting (depending on its depth) spills out back and forth throughout our life, reshaping, transforming, metamorphosing, down into the cradle of our birth and up into the darkness of our tomb.
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The poet, today, is an outcast destined to live in the shadow of a socially unjustifiable existence. The intellectual atmosphere of his time renders him mistrustful even towards the sacred fountain of his inspiration. And so he finds himself in the peculiar position where he cannot turn away from poetry nor completely give in and surrender to it — he does not believe in his own existence. He suffers, and his suffering is incommunicable. He suffers in silence. Yet this silence and suffering are preparing something in him too; even now, something is rising out of him. This intuition alone makes his existence bearable, and fills him with the awe of being a poet. He will go unseen like a flower on the wind. But poetry, her, the midwife of the heart, has already taken something out of him and planted in the garden of eternity. He will go unseen, but the poem shall survive.